PICTURES FOR SCREENS (2024)

A fictional retelling of a family journey across Canada.⁠
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Over the past few years photography's relationship to the truth has been a conscious concern of mine. Historically, the medium has been regarded for its ability to accurately depict reality and the photographic object as a form of proof or evidence. The photograph is no longer an object, rather a file and its ubiquity and accessibility across screens has begun to muddy the waters of visual documentation. ⁠
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This narrative is rooted in my own ancestral history before unraveling significantly, becoming a surreal version of the story as anomalous elements invade each image. ⁠
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